leanne betasamosake simpson as we have always done

'I think it's important that it resonate within my own immediate community: Nishnaabeg thinkers and Indigenous people. I wanted to have a discussion with relationality and figuring out what resonates with different ways of thinking.' Connecting with communities I don't like the authoritarian tone of a lot of the academy that doesn't fit with my intellectual tradition. 'I wanted the work to speak to a much broader audience and be conversational in nature.

'I work within the Nishnaabeg intellectual traditions. I wanted to approach the topic in a way that would first serve a Nishnaabeg and Indigenous audience, and have all the other audiences that I wanted to connect to as witnesses. I wanted to make some interventions into what was happening in the academic world, but not in a particularly academic way. Simpson spoke with CBC Books to discuss how and why she wrote As We Have Always Done. Her latest book, As We Have Always Done, is a nonfiction work that examines how Indigenous resistance movements can counteract the destructive thinking of settler colonialism. How turning to her Nishnaabeg roots helped Leanne Betasamosake Simpson overcome a creative challenge.The Michi Saagiig Nishnaabeg musician, artist and author's collection of songs and stories in This Accident of Being Lost was a 2017 finalist for the Rogers Writers' Trust Fiction Prize. The work of Leanne Betasamosake Simpson - both fiction and nonfiction - places a focus on the everyday struggles of Indigenous Canadians.

Leanne betasamosake simpson as we have always done